Forced to fight in gladiatorial combat by a crime boss who controls a city sized space station, our heroes aren’t exactly having a good time. They need to find a way out of this, and they need to find it fast.
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The team faces off against a group of robots in the grand arena. The robots aren’t doing so well, and the crowd is loving it.
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Talia feels the weight of responsibility and is distraught that she can’t help her cousin. However someone from beyond the material plane, reaches out to help. Meanwhile, Seline confronts her father about her sister.
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In this, the season four finale of The Meatgrinder, our survivors are pushed to their limits as they take on something far more dangerous than the traps that they’ve seen so far.
And Amy yells “gun.”
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Those wacky Soongs are at it again, proving that Data’s the only good one of the lineage as Eugenics criminal Dr Arik Soong has some genetically engineered children who are out causing diplomatic incidents.
That’s right, we’ve got not one, not two but three Enterprise episodes as we watch all of the Augment trilogy in one go. Should they be ranked as one episode or three? How much does this want to be Wrath of Khan? Have they stopped with the whole ‘Space War on Terror’ and does Earth look less like a poor Xbox game background?
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Our heroes end up in the arena again, this time fighting against a group of robots. Thankfully, while lots of things are difficult for our team… they’re more than comfortable punching the crap out of stuff.
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It’s July, so that means we’re doing the annual feedback and Q&A special! You guys spent the last few months sending in witchcraft questions, and they got shuffled around, picked at random, and now you’re getting some answers! We’ve played this dance before, you know what’s up.
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The team needs to figure out whether or not to take a deal they might regret later.
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Pull out two strips of Gold-Pressed Latinum and submit them in the little box to listen to our episode on the Ferengi, Star Trek The Next Generation’s first attempt at a recurring villain race which went incredibly poorly for everyone concerned. From their first appearance in the show when they act like incredibly hyperactive gerbils in the The Last Outpost, to their most recent focus in Star Trek Prodigy where we find out more about Dal’s past and the conflict between his old life and his new life in First Con-tact. to one of Deep Space Nine’s many attempts to bring nuance to the species in Family Business when Quark and Rom have to deal with their mother Ishka’s becoming involved in what passes for First Stage Feminism in a culture where women can’t wear clothes.
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